We are proud to welcome submissions for the annual Strombergs Family Realization Fund disseminated through Nightwood Theatre. This $10,000 cash award is intended to support a trans or cis woman who has spent at least 20 years in the profession of theatre in any discipline and is now looking for a way to finance a project of passion that includes aspects of theatre, music, and movement.

Submissions will be accepted through the linked google form by Nightwood Theatre until Wednesday, December 8, 2021 11:59pm EST. Please reach out to amanda@nightwoodtheatre.net if we can support any of your accessibility requirements. 

Please read the eligibility carefully.

  • Individual or group applicants must have devoted 20 years + to their careers in professional theatre (in any discipline).
  • Projects by individuals or groups will be accepted.
  • All applicants in a group application must identify as cis or trans women. 
  • The proposed project with which you’re applying must not have received ANY funding thus far. 
  • Individual and group applicants must be Ontario-based artists.
  • Award money may be used for artists’ fees and expenses directly related to the realization of the project, including materials and space.
  • Award money cannot be used for capital expenditures or expenses related to an existing ongoing company.
  • Priority will be given to live theatre projects in which music and dance/physical movement are essential elements.

To SubmitPlease click here to complete the application form, which will ask: 

  • Contact details of the lead artist(s)
  • A synopsis of the proposed work and the inspiration for it (please include any information about its history up to this point) (max. 250 words)
  • What is your proposed timeline including other potential participants, and how would you spend this award money? (max. 200 words)
  • Artist(s) bios. Each bio should not exceed 150 words. For group applications, please include your lead artist bios only.

Composition of the selection committee includes at least 50% IBPoC as well as Age and Gender representation.
 
We thank all applicants for their interest, but only those selected for an interview will be contacted directly. All applications are considered confidential. As Canada’s foremost feminist theatre, Nightwood is committed to creating spaces that are trans inclusive and that recognize a multitude of intersectional identities, which include race, ability, sexual orientation, age, and gender identity among others and prioritizes submissions from equity seeking groups. 
Vinetta, Alfred, and Hilda Stromberg.

About The Strombergs Family Realization Fund

Vinetta Strombergs is establishing a “Realization Fund” in memory of her parents, Alfred and Hilda Strombergs, who emigrated to Canada after the war and settled in Halifax. They arrived as a classical musician and a ballet dancer. Alfred became the Conductor of the Halifax Symphonette and Conductor for the Nova Scotia Opera, while Hilda became the Artistic Director and Choreographer of the Halifax Ballet Company. In the 50s they moved to Toronto briefly and subsequently Stratford, Ontario, where Alfred was the conductor at the Stratford Festival from 1957 – 1968. He also taught opera at the University of Toronto and worked with the Canadian Opera Company until the couple resettled in Edmonton in 1971, where he taught in the University of Alberta opera department until he retired in 1988. Hilda continued teaching ballet until she retired in the mid-70s.

Vinetta’s career in theatre spans 50 years, thanks to the support of her parents and the love of all theatrical disciplines instilled in her. She started as an actor and became a director in order to realize a desire to create theatre projects that no one would hire her to do. It started in 1985 with a futuristic all-female Julius Caesar with flamenco battle scenes. Her passion for theatre and independent projects continues to this day.

“As women age, they bump into barriers that force them to quit or fight,” says Vinetta. “Some forms of theatre and ideas about making theatre encounter obstacles that mean they fall through the cracks in the regular funding systems. And there’s never enough money to go around. Hence the idea to create this award and pay forward some support. This award is for senior artists who have a passion project that has fallen through the cracks, but who deserve a chance, and deserve the opportunity to receive funding for their project to be realized.”

Headshot of Dian Marie Bridge.
Photo of Dian Marie Bridge by Dalmane Bridge for Horatio Troy Hanzo

It is not lost on me that the Strombergs Family Realization Fund was established in the memory of Vinetta’s artist parents, now this funding supports my dream of continuing work that honours all of my mothers and ancestors. Foremost in my mind of late, has been the wish for more time, and the return of energy that comes with youth. This fund becomes that time and energy. It is the ability to sit in my creativity fully for a dedicated amount of time. It is respect for my practice, and talent. It is a chance to share space, resources and connections, by working on a project that is a huge part of my heart, culture and life. I am deeply humbled and grateful for the belief and trust in this work.

– Dian Marie Bridge

Nightwood Theatre is pleased to announce the winner of the first Strombergs Family Realization Fund: Dian Marie Bridge.

This $10,000 cash award, established by theatre director Vinetta Strombergs in honour of her artist parents, is intended to support a woman who has spent at least 20 years in the profession of theatre in any discipline and is now looking for a way to finance a project of passion that includes aspects of theatre, music, and movement.

Dian Marie Bridge is a Toronto-based freelance theatre-maker and arts manager. She holds a degree from Brock University and attended the University of Minnesota. Bridge has worked with many organizations across Canada and the US including Harbourfront Centre, The Stratford Festival, Obsidian Theatre, The Guthrie Theatre, Canadian Stage, Mirvish Productions, Soulpepper Theatre, Playwrights Guild of Canada, and Storytelling Toronto. She is also an inaugural member of the Stratford Festival’s Michael Langham Workshop for Classical Direction, and is a recipient of the Elliott Hayes Playwright Development Guthrie Award. She has been an artist mentor through The Paprika Festival, The AMY Project, Speak Sudan, b current’s RaizinArtz Program, Only One You workshops, and the Boys and Girls Club of Vancouver.

An active member of Canada’s theatre and arts community for over two decades, Bridge recently started making inroads into the dance and visual arts communities. Her work has shifted with the intention of helping to bridge the creative communities in Canada, through peer-to-peer mentorship, cross-pollination of ideas, practices, retention of knowledge and practice through continued direct support of artists.

Bridge’s winning project is titled Crossing Into Lullaby. Rooted in the space between history and mythology, Crossing Into Lullaby uses a family ghost story of “Granny Eating With the Baby” to examine the desperation that can come with parenthood, and the impact of family mythology on individual choice. This mash-up of sound, projection design, live scoring and movement uses the true-to-life family story to reveal just how interwoven our lives are with metaphysics, trauma, and death.

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