Andrea Donaldson by Cylla von Tiedemann

Andrea Donaldson

Artistic director

Born and raised in Toronto, Andrea Donaldson has directed productions for theatres across the country including Soulpepper, Factory Theatre, Tarragon Theatre, Theatre Passe Muraille, Theatre Direct, Great Canadian Theatre Company, Festival Players in Prince Edward County, NTS, Summerworks, St. Lawrence Shakespeare Festival, Shakespeare in the Ruff, Espace René-Provost, Toronto Fringe, Red Sky Performance, and Nightwood Theatre. For two decades, Donaldson has played a pivotal role in fostering new works for the stage, both in her role as Tarragon’s Associate Artistic Director and as the program Director for Nightwood Theatre’s Write from the Hip program – a unit for exceptional emerging playwrights, in which she developed Rose Napoli’s Lo (or Dear Mr. Wells), Grace by Jane Doe, and Every Day She Rose by Andrea Scott and Nick Green.

Andrea was invited into The Stratford Festival’s Michael Langham Workshop in Classical Direction, and was honoured with Stratford’s Jean Gascon Award for Direction. She won the Best Director Award at the International Youth Drama Month in Shenzhen, China for Mistatim, which has played to over 750,000 children internationally. Andrea has been nominated twice each for the Pauline McGibbon Award, the John Hirsch Directing Award and the Gina Wilkinson Award, as well as for several Dora Awards. Andrea received a Dora Award for Outstanding Performance & Outstanding Production for performing in the Urge Collective collaboration And By the Way, Miss (Theatre Direct).

Studio headshot of Beth Brown.
Beth Brown by Dahlia Katz

Beth Brown

Managing director

Beth Brown has worked in theatre as a Stage Manager, Technical Director and Production Manager for various theatre companies in Ontario, overseeing a multitude of productions including national and international tours. Beth was appointed General Manager of Theatre Direct in 2010 after overseeing Theatre Direct’s creation of a fully equipped theatre and education space in the Artscape Wychwood Barns. As General Manager for Theatre Direct, Beth has supported many award winning productions including Binti’s Journey adapted by Marcia Johnson from the novel The Heaven Shop by Deborah Ellis, Sanctuary Song by Abigail Richardson-Schulte and Marjorie Chan, Old Man and the River by Lynda Hill and Thomas Morgan Jones and most recently Theatre Direct’s inaugural WeeFestival of Theatre and Culture for Early Years. Beth sits on various committees for the Professional Association of Canadian Theatre (PACT) including the Finance and Labour Committees and is a Board Member for Eldritch Theatre Company. She is a graduate of The National Theatre School of Canada.

Studio headshot of Naz Afsahi.
Naz Afsahi by Dahlia Katz

Naz Afsahi

Artistic Associate and Business Manager

Naz Afsahi (She/They) oversees a portfolio that includes a unique mix that falls across both artistic and management duties. You can find her on any given day focusing on producing to-dos such as contracting, grant applications and bookkeeping, as well as administrating many of the artistic programs offered by Nightwood and even moonlighting as an Assistant Stage Manager on the Lawyer Show! Naz is delighted to start her sixth season with the company and deeply values the unique mission that Nightwood brings to the sector. She is passionate about issues relating to equity, trans rights, as well as race and representation. A intersectional feminist of colour, Naz is addicted to contemporary romance novels, cooking while watching British reality television or makeup declutter videos on Youtube, working on restoring her Tennyson dollhouse, yin yoga and cuddles. Naz believes in community engagement and volunteering: Naz is the Chair of the Board of Directors for the Paprika Festival, and a blog-editor with Shameless Magazine. Prior to joining Nightwood, Naz spent five seasons with Theatre Direct in a variety of roles, and has served on two Juries at the Ontario Arts Council and as a Jury Member on TAPA’s 14-15 Dora Juror Committee for the Theatre for Young Audiences (TYA) category. Naz holds a Masters of Arts in Media Studies from the University of Western Ontario, and an Honours B.A. (Film Studies/Religious Studies) from Queen’s University.

Headshot of Victoria Laberge.
Victoria Laberge by Graham Isador

Victoria Laberge

Director of Development

Victoria Laberge is a passionate arts administrator originally from Montreal. Upon moving to Toronto in 2015, she started an internship with Nightwood Theatre, coordinating the silent auction for the annual Lawyer Show – and never left.

In addition to serving as Nightwood’s Director of Development for the past five years, Vic indulges her love of independent theatre and comedy with multiple freelance projects, serving as the Publicist for award-winning physical comedians Sex T-Rex and as the Marketing Coordinator for the iconic Puppetmongers Theatre. Past publicity credits include Theatre Inamorata’s Gray; Cue6 Theatre’s Dry Land (One of the 10 best theatre productions of 2018, The Globe and Mail); Dive Bar Theatre’s Lighters in the Air (Outstanding Production of the 2018 Toronto Fringe Festival, NOW Magazine); and Scantily Glad Theatre’s Pack Animals. Past producing credits include People Suck in 2015 (Best of Fringe, Toronto Fringe Festival); Confabulation Storytelling, 2016-2019; and Morro and Jasp: Save the Date at the 2020 Next Stage Theatre Festival.

Victoria has served on the jury of the Toronto Sketch Comedy Festival since 2018. In 2019, Victoria received the My Entertainment World Honourary Critics’ Pick Award for Publicity.

Studio headshot of Taylor Trowbridge.
Taylor Trowbridge by LV Imagery

Taylor Trowbridge

Director of Marketing & Communications

Taylor Trowbridge is an actor, educator and arts administrator. As an actor, she has performed in productions for theatre companies such as Canadian Stage, The Shaw Festival, Nightwood Theatre, Bard on the Beach, Thousand Islands Playhouse and SummerWorks Festival. She holds an MFA in Acting from York University and her thesis work explored discovering greater artistic freedom through a practice of personal discipline. As an educator, Taylor’s focus is on connecting students to their inner-worth and interconnectivity, their sense of daring and vulnerability. With her work an arts administrator, her mission is to communicate from a place of community-building rather than commerce, and some of her projects with Nightwood Theatre include the Young Innovators Program, the Conversation Series Interviews and the Social Distancing Care Packages. 

Studio headshot of Amanda Lin.
Amanda Lin by Haley Garnett

Amanda Lin

Marketing & Development Assistant

Amanda Lin is an emerging Taiwanese-Canadian theatre artist who specializes in writing, performance, direction, and marketing/outreach. She is a graduate of Queen’s University, where she studied social psychology, theatre, and business, with her area of research centring on attitudes and culture. She is particularly interested in creating accessible and inclusive theatre, focused on providing a platform for underrepresented people and stories. Amanda is an alumni of Nightwood Theatre’s Young Innovators Program and fu-GEN Asian-Canadian Theatre’s Kitchen Playwriting unit. She has also worked with companies such as Why Not Theatre, the Paprika Festival, Ergo Arts Theatre, Single Thread Theatre Company, the Kick and Push Festival, Thousand Islands Playhouse, and Young People’s Theatre. She currently works at Nightwood Theatre as their Marketing and Development Assistant and at Cahoots Theatre as their Admin Assistant. Visit Amanda online at

Studio headshot of Teiya Kasahara.
Teiya Kasahara by Janet Kimber

Teiya Kasahara

Intern Artistic Director and Write from the Hip Program Associate

Teiya Kasahara 笠原貞野 (they/them) is a genderqueer, multi-disciplinary performer/creator, and first-generation Nikkei-Canadian settler of Japanese and German roots thankful to make Tkarón:to their home. Teiya comes from a background of over a decade of singing both traditional and contemporary operatic roles across North America and Europe, most recently praised as “a force of nature” by the Toronto Star for their portrayal in FAWN’s Pandora. Their new initiative to centre equity-seeking artists, Amplified Opera (co-founded with director Aria Umezawa), launched publicly this October with the inaugural concert series AMPLIFY. Performances this season include The Wager (Theatre Gargantua),Symphony Spooktacular (Toronto Symphony Orchestra), the title role in Madama Butterfly (Windsor Symphony), Revolt. She Said. Revolt Again. (Buddies), assistant directing All the Little Animals I Have Eaten (Nightwood), Beethoven 9 (Kingston Symphony), and the world premiere of their operatic-inspired play The Queen In Me (Amplified Opera/Theatre Gargantua) in 2020. Teiya is a co-founder/member of Queer AF Collective, founder/head coach of the Vocal Dōjō, an apprentice with RAW Taiko Drummers, and is a graduate of Generator’s Artist Producer Training, the Canadian Opera Company’s Ensemble Studio, and the University of British Columbia. For more info visit or follow @teiyakasahara.

*This position is made possible through the Canada Council for the Arts

Headshot of Donna-Michelle St. Bernard.
Donna-Michelle St. Bernard by Graham Isador

Donna-Michelle St.Bernard

Write from the Hip Program Director

Donna-Michelle St. Bernard (aka Belladonna the Beast) is an emcee, playwright, dramaturge and agitator.  Her work has been nominated for the Siminovitch Prize, Governor General’s Literary Awards, SATA, Herman Voaden Playwriting Award, Enbridge PlayRites Award and Dora Mavor Moore Award for Outstanding New Play.  She has been engaged as a dramaturge for Pink Pluto, Native Earth Performing Arts, Factory Theatre, lemonTree creations and Humber College Drama Program.  DM is the artistic director of New Harlem Productions, emcee in residence at Theatre Passe Muraille, playwright in residence at lemonTree creations and coordinator of the ADHOC Assembly.

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