WRITE FROM THE HIP
Call for Submissions: 2027 Write from the Hip Program
Nightwood Theatre is now accepting submissions to the 2027 Write from the Hip (WFTH) program.
About the Program
Write from the Hip is a year-long script development program designed to support self-identifying emerging playwrights through mentorship, participation in a playwright’s unit, and one-on-one dramaturgy. Participants work towards the completion of a full-length play that culminates in a public reading with professional actors and a director as part of our annual Groundswell Festival in the fall. We are looking for intersectional feminist content by women, trans men, as well as Two-Spirit, non-binary, and gender expansive playwrights who are emerging in craft – there is no age limit to apply. Participants will receive a $2,000 CAD honorarium:$1,000 at the start of the program, and $1,000 at the completion of their draft and participation at the Groundswell Festival.
This season we are experimenting with creation parameters and will only accept plays that touch on the following themes/forms. We are accepting applications for plays that explore the following themes:
- economic inequality, class, and issues of precarity
- genocide and displacement
- history (at the societal level; re-writing the past)
- peacemaking/uncomfortable conversationsÂ
- power and resistance / civil disobedience
We’re also interested in scale at both extremes — solo shows or plays with large casts.
Schedule:
Group meetings will take place within the following windows (i.e. 1 day per window, exact dates and times to be determined with the cohort):
- January 11-15, 2027: Initial welcome meeting (tbd)
- April 5-11, 2027: Group meeting (tbd)
- June 14-20, 2027: Group meeting (tbd)
- September 6-12, 2027: Group meeting (tbd)
- Fall 2027: Groundswell Festival at the Nancy & Ed Jackman Performance CentreÂ
Interstitial one-on-one meetings between playwrights and the Write from the Hip Program Director take place virtually on an as needed basis.
Please note: From participant feedback in recent years, we have decided to localize Write from the Hip. We will be accepting applications from artists based in the Greater Toronto Area and/or those who are able to attend group meetings in-person, primarily at our new home at the Nancy & Ed Jackman Performance Centre (877 Yonge Street, Toronto).Â
About the WFTH Submission/Interview Process
In addition to our script submission process detailed below, we will hold a round of interviews with select applicants in early December 2026. This interview phase is an opportunity for artists to introduce themselves and their proposed script in whatever way best represents them.
If you are offered an interview, it is a conversation to discover if there’s a match between what the WFTH program can offer you as a writer, what your play needs in terms of development, as well as who you are as an artist and why you want to be a part of the WFTH program. Applicants who have applied (but not participated) in prior years are welcome to apply with a new project.
How to Apply
Completed submissions must be received via electronic copy, no later than Wednesday, October 25th, 2026 at 11:59 PM ET. There is no submission fee for this program.
In order to be considered for an interview, your package must include:
The completion of the online Google Form.
Choose Option 1 or 2:
1. A 10-page maximum PDF that includes:Â
– A one-page letter outlining your background as an emerging artist, how you feel you/your project would benefit from WFTH, what your dramaturgical needs are, and a brief synopsis of your play;
– A maximum 9 page excerpt from the play you intend to work on.
– Your application must be submitted as a single PDF document, saved in the following title format: “Last Name_Title of Play”. Please submit your PDF application to: submissions@nightwoodtheatre.net
ORÂ
2. A video application – maximum 10 minutes in length that includes:Â
– 1 minute of video outlining your background as an emerging artist, how you feel you/your project would benefit from WFTH, what your dramaturgical needs are, and a brief synopsis of your play;
– 9 minutes max of video of you reading an excerpt from the play you intend to work on.Â
– Please rename your video submission file and written excerpt file to read “Last Name_Title of Play” and send the file via Swiss Transfer to submissions@nightwoodtheatre.net.
Nightwood is committed to creating spaces that are trans-inclusive and that prioritize a multitude of intersectional identities, which include race, ability, sexual orientation, age, and gender identity among others.
SUBMISSION DEADLINE:Â
October 25th, 2026 at 11:59 PM ET
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FREQUENTLY ASKED QUESTIONS
All applicants must:
- Identify as a women, trans men, as well as non-binary, Two-Spirit, non-binary, and gender expansive as per Nightwood Theatre’s mission and mandate.
- Be over the age of 18
- Not currently be attending a full-time training program
- Be eligible to work in Canada
- Self-identify as early in their playwriting career (i.e., have not had a professional production of your work)
- Not currently working on this project through another development program.
If you fall outside of the eligibility, feel free to reach out and we can offer other suitable avenues to connect with Nightwood and the theatre community at large.
We’re looking for playwrights and creators who are 18+ and self-identify as being in their early career. The program is best suited for folks who are in the first few years of their professional practice or are looking to expand into playwriting from another creative writing medium. Post-secondary training is not required.
Write from the Hip has developed many styles of pieces through its history. Please note, this is explicitly a play development program and other forms of creative writing, such as poetry or screenplays, might find more suitable feedback elsewhere. While we have the ability to nurture many styles of plays, we have found that the most successful supported pieces tend to be more text-based.
We believe that you will get the most out of this program if you are not currently a student and we’d encourage you to apply once you’ve completed your program.
Based on feedback from previous years, this year’s program is Toronto-based. We encourage anyone who can be in Toronto for 4-5 meetings a year and the Groundswell Festival to apply. There will continue to be other opportunities for artists across Canada to connect with Nightwood. Stay tuned!
Nightwood does not use artificial intelligence (AI) to screen, assess, or select applicants. Applications are viewed by a small team of Nightwood Staff, and the WFTH Program Director.Â
We consider a number of factors, including:
Who we feel will get the most out of this program.
Who would not get this kind of opportunity elsewhere.
Who demonstrates values that align with Nightwood’s.
Whether the play falls into this Write from the Hip’s season parameters listed above.Â
Is this project boldly feminist.
How well might the Program Director support the participant’s goals.
Cohort composition/creating a dynamic group (this includes composing a synergistic group with divergent identities with a spectrum of life/professional experiences, variety in content and form, a range of stages of progress with the submitted plays (i.e.: brand new works in process to full plays being reworked)
Our chemistry with the applicant.
A love for your play.
Write from the Hip applications will reopen in Fall 2027 for the 2028 cohort.
You can reach Artistic Associate Courtney Ch’ng Lancaster via email at courtney@nightwoodtheatre.net for questions. Â
Program Support Provided By The RBC Foundation
2026 TEAM
Intisar Awisse
Program Director
Intisar Awisse is a theatre-maker, playwright, dramaturg, and creative producer. She has been creating theatre for the last ten years with a focus on new plays, devised ensemble work, adaptations, and dance-based performance. Her work includes projects for theatre companies such as Dancemakers, Shaw Festival, Stratford Festival (Meighen Forum), Greenlight Arts, Why Not Theatre, and the PuSh International Performing Arts Festival. She was an inaugural ThisGen Dramaturgy Fellow with Why Not Theatre and is currently ThisGen’s Artistic Producer where she supports theatre artists from across Canada. She often leads dramaturgy and creation workshops and has been a guest lecturer and facilitator for various institutions on topics such as Contemporary Dramaturgy and Performance Practice, Script Analysis, Canadian Theatre History, and Black British Theatre. Outside of performance, she regularly works as an editor and educator with experience in both book publishing and arts education.
Mya Wong
Program Associate
Mya Wong (she/her) is a queer, Chinese-Vietnamese artist based in Toronto, Ontario. She loves to explore all the messy, silly, vicious parts of humanity, and to invite audiences to do the same with her. Since graduating from Toronto Metropolitan University with a BFA in Acting, Mya has been developing her dramaturgy practice with a focus on new work that centres underrepresented identities and perspectives. Select theatre credits include: Dramaturg, Playwrights in Process (Doormouse Productions); Production Dramaturg/Assistant Director, Ordinary Days (Shifting Ground Collective); A Perfect Bowl of Pho (Toronto Fringe Festival); Risk! A Climate Cabaret (United Nations with Live Canon).
2026 Playwrights
Alison Adams
Alison Adams is a graduate from the University of Windsor’s Bachelor of Fine Arts in Acting program. Recently, she presented two of her plays at Half Blind Owl’s The Slate Festival: “stupid dumb idiot” in 2024 and “Perfect, Perfect Girls” in 2025. She is currently developing a new work, “One Million Love Songs,” with The Vault Creation Lab. Alison is very excited to delve into the esteemed Write From The Hip program with her newest work, “Hooks.”
Rais Clarke-Mendes
Rais Clarke-Mendes is a Trinidadian-Barbadian actor, director, and emerging playwright. A graduate of the National Theatre School of Canada, she has honed her craft performing heightened text at The Shaw Festival. A dedicated advocate for Black and Caribbean communities, Rais channels this commitment through her work as a director. She is also engaged in arts education with the Nia Centre for the Arts and shares her love of literature as a book reviewer on Instagram (@rayrayreviewed).
Sal Currie
Sal Currie is a playwright and actor based out of Toronto. Currie’s work operates in shades of contrast. Their passion lies in dragging complicated subjects to the surface, whether that be abortion (It’s Not a Boy! Blue Canoe Productions, 2016), addiction (I Got My Life Back, NTS, 2021), or rape culture (Charlotte Louise, Queen’s Students on Boradway, 2017). They are a proud graduate of both Queen’s University (2018) & The National Theatre School of Canada (2021).
Nicci Pryce
Nicci Pryce (they/them) is a multidisciplinary artist whose work is rooted in passion, vulnerability, and social justice. With a BA in Media Production from TMU, they contributed to creating a wide array of projects ranging from mixtapes, theatrical productions, and short films each with a definitive focus on amplifying underrepresented narratives. Their artistic journey has been shaped by collaboration with companies such as Theatre Gargantua, Bad Hats, Crane Creations, Soulpepper, and New Harlem Productions.
Vanessa Spence
Vanessa Spence is a classically trained actor, producer, emerging playwright & director, and professional human being. She is the founder & artistic director of Virtu Arts Theatre, serving the Black diaspora of artists based outside of Toronto. Her artistic practice is rooted in amplifying the intricate stories of Afro-Caribbean femme bodies and minds while advancing the conversation of what it means to be a Black artist based in regions where they are not adequately represented.